Music Tracks

$35/Song

Includes 60 & 90 second cuts, not the full song


Submission Guidelines

  • All submission materials should be uploaded to the student’s Google Drive Songs folder. Students will be asked for the Drive Folder URL during the checkout process so our accompanist can access the files.

  • All sheet music MUST be clearly marked with tempo, all cuts, and any important notes. You may provide digitally marked music OR scans with handwritten markings (see examples below).

  • If desired, you may provide a voice memo of a few bars of music to establish the tempo you want. You do not need to sing your entire cut (unless you want to). You should sing enough to establish the tempo, while also singing any specific moments where you're stretching the tempo or doing something different (this should also be marked in the music). 

  • IMPORTANT: Please be sure to time your cuts before submitting (using your specified tempos). In order to meet most prescreen requirements, ~16 bar cuts should be no more than 60 seconds (including slate) & ~32 bar cuts should be no more than 90 seconds (including slate). If your cuts are over time, please note that our accompanist may adjust tempo accordingly.

  • Once complete, students will receive an .mp3 file of each cut (able to be played on phones, tablets, laptops, etc). Files will be uploaded directly to the students Google Drive Songs folder.

7 day turnaround


Helpful Resources

  • Tap Tempo: Calculate Tempo/BPM (beats per measure)

  • Song Length Calculator: Enter the BPM, time signature, and # of measures to double check the approximate timing of your cuts

Examples of Marked Sheet Music Cuts

Meet Our Accompanist

Bridget Driscoll (she/her): Bridget is a Los Angeles based songwriter & pianist, and a 2017 graduate from Berklee College of Music and Emerson College with degrees in acting and music technology. She spent much of her time in college writing musicals and working as a music director for over 30 productions and an a cappella group. Bridget worked for nearly two years in music licensing for Glassnote Records/UMG (representing Mumford & Sons, Childish Gambino, Phoenix) and Pusher, LLC, specializing in music supervision for movie trailer scores (The Incredibles 2, Wonder Woman, Dunkirk) while continuing her music business and law studies at UCLA. She began teaching music and performing full time in May 2018.